Agrippina

George Frederic Handel is one of the most prolific and successful writers for opera. He has created numerous Italian operas. The characters in Agrippina, such as Emperor Claudius and a band of political schemers, would lead one to expect a far more serious tone. There is also Agrippina herself, sister to the notorious Emperor Caligula, and the fourth wife to Claudius. With events such as assassination by poison, and a vicious blame-game, it would be impossible to fathom a comedy out of all this. Yet, Handel takes all of this and creates an entertaining comedy, handling the characters in an effortless manner. It is a beautiful satire on the events, keeping it fresh, while still having masterfully composed music that is intense and emotional. It first premiered on World of Opera in 1710. Agrippina is often considered to be Handel’s masterpiece by modern critics.

This latest production of the black comedy is the first-ever revival at the MET. It stars Joyce DiDonato, a celebrated mezzo-soprano, who plays the dominating Agrippina. It also features Kate Lindsey, the famous mezzo-soprano, as Agrippa’s son, Nerone. This production by Sir David McVicar is graced by the immaculate conducting of Harry Bicket.

The Story

Despite being based on true events, and historical personalities, the story is quite loose with the accuracy of the events, to create a more entertaining and comical atmosphere. The story begins with Agrippina hearing that her husband, Emperor Claudius has passed away during a vicious storm at sea. She beings working on a scheme to put her son Nero, who is from a former marriage, on the throne. She puts her plan into action and nearly tastes success. However, on the eventful day of Nero’s ascension, the ceremony is interrupted by a messenger. He delivers the news that Emperor Claudius is in-fact alive, saved by Otho! Will Agrippina achieve her ambition, or will Emperor Claudius have his way? Find out in this wonderful opera!

Good For

Fans of Classical Comedies | Lovers of Handel

Reviews

“There probably isn’t a more technically accomplished mezzo than DiDonato currently on the planet.”

• Bachtrack